While you may already associate PULP with its powerful influence on epic heavy live events and K-pop concerts, the company is expanding its horizons after a remarkable 25-year journey. Enter PULP Studios, their latest venture into the expansive realm of entertainment, now making its mark on the silver screen. Spearheading this cinematic endeavor is Ma’am Chief: Shakedown In Seoul, a comedy that seamlessly integrates Korean culture and stars through a Filipino lens. This film not only illuminates the screen with its vibrant lights but also ignites an unexpected connection between two rich cultures.
The cast of PULP Studios’ debut film, shared their respective unique experiences, among of them are new and long-time actors Sela Guia, Dustine Mayores, Manel Sevidal, Enzo Almario, Bernadette Allyson-Estrada, Alora Sasam, Jennica Garcia, Karylle, and the Kamsami queen herself, Melai Cantiveros-Francisco. Also present were Korean personalities Moon Kyung, Gabriel Choi, Rolling Quartz, and Do Ji Han.
As the reels roll, a distinctive camaraderie blossoms among the cast, surpassing borders and forging a heartfelt connection between the Philippines and Korea, mirroring the warmth portrayed in the scenes unfolding on screen.
Here’s a list showcasing the shared love and discoveries that transcend the director’s chair, delving into the emotions of the cast as we unveil delightful discoveries and the mutual affection that blossomed throughout the creation of this cinematic masterpiece.
From Manila to Seoul, it’s all about professionalism in sync
Exemplifying professionalism is one of the common traits shared by the cast and crew behind the film, particularly throughout their journey spanning from the bustling landscapes of Manila to the vibrant streets of Seoul. In sharing her experience working with the Korean cast and staff, Melai Contiveros-Francisco, the main character herself, expressed her amazement, stating, “Amazing experience talaga. Ako mismo na-amaze ako dahil eight to ten hours, sobra na yung ten working hours, and sa loob ng 10 hours na yun and andun na yung lunch.”
The actress also highlighted that during those work hours, the Korean crew remained standing, emphasizing their dedication to their work. Such observation underscores the unwavering commitment and professionalism demonstrated by the Korean team throughout the collaborative production.
Cantiveros also recognized the assistant director in Seoul, noting the level of politeness and professionalism displayed during the set. There was a moment when rain interrupted the shoot, and upon suggesting that everyone take a seat while waiting for the rain to subside, causing a temporary pause in filming, the assistant director responded with a courteous, “No, because our boss is standing.”
This anecdote sheds light on the assistant director’s commitment to maintaining a refined atmosphere on set, marked by elevated standards of courtesy and professionalism.
Hospitality indeed runs in our blood
The embodiment of hospitality has long been a hallmark of Filipino culture, and its manifestation is notably exceptional within the ensemble of Korean cast members contributing to this film. South Korean actress Moon Kyung recounted her personal experience working with Filipinos, expressing, “They consistently treat us really well, so it was great!”
Amid the shooting, as the members of the South Korean rock band Rolling Quartz. The band is responsible for the official soundtrack of the film, titled “Blaze”, while also taking on cameo roles in the film. They share observations of thorough preparation of the entire staff.
But what truly left a lasting impression was the exceptional hospitality extended by the Filipino team. The warm welcome not only embraced them right off the bat, but also seamlessly integrated them into the familial atmosphere, surpassing their expectations and creating a memorable experience.
Synergy in diversity
In the odyssey of each contributor to the film’s triumph, an enchanting synergy unfolded among the diverse set of local and international cast members. This exemplified the adeptness of Koreans and Filipinos in harmoniously amalgamating their distinct skills, illustrating that the language of professionalism transcends geographical boundaries. Their interactions reflected a shared home, marked by an abundance of joy, laughter, and enduring memories, even amidst diverse cultural and background disparities.
A compelling example of this connection emerged with the viral Hongkiri Dance performed by Melai Cantiveros and Gabrielle Choi. Despite encountering communication barriers, the two forged a delightful bond and relationship through dance. These obstacles, however, did not hinder the actors from thoroughly relishing and connecting with every member of their film.
From the Korean perspective, the esteemed actor Do Ji Han eloquently shared his delightful experience during the film’s production, attributing his infectious laughter to the uplifting energy pervading the set. In a charming revelation, he specifically acknowledged the mirthful influence of Melai, noting her exceptional ability to evoke laughter within him throughout the filming process.
In addition, Moon Kyung shared her initial apprehension and nervousness about potential language and cultural barriers with her co-stars. She expressed, “I thought there would be many obstacles, but they were incredibly kind and sweet. I was pleasantly surprised, and the energy was fantastic. I learned a lot from them.”
Director Kring Kim, on the other hand, recalled the remarkably efficient filming days in Seoul, prompting the adoption of the same system in Manila. “Itong mga katrabaho nating Koreano, sobrang maayos. They share the same energy with Filipinos,” she said.
Concerning the conclusion of Ma’am Chief,” Kim acknowledged that it had its challenging moments. “I wouldn’t say it’s a breeze,” she said, “but it’s an experience.”
The shared love of Koreans and Filipinos
According to Executive Producer Inang Happee Sy-Go, the film serves as a “representation of the K-Pop-loving community.” Selda Kaptan is portrayed as a joyful individual, relatable to many K-Pop and K-Drama enthusiasts. She shared that her narrative emanated from her 14-year immersion in K-pop and K-drama. “I wanted to tell a story of what I’ve been in,” she explained, emphasizing that Ma’am Chief symbolizes the broader Filipino community enamored with Hallyu. “The character embodies joy, energy, and excitement.”
As the cast and creatives set out to describe it, Ma’am Chief seeks to transcend the confines of a mere movie; it evolved into a celebration of shared joys and passions, seamlessly bridging Pinoy and Korean cultures. The perfect amalgamation of humor, heartwarming narratives, and K-fan moments within the film deeply resonates with the audiences. It is every bit a poignant reminder that enchanting journeys often evoke a sense of homecoming. While we are on the lookout on how the film turns out, kamsami, Ma’am Chief, for connecting two distinct countries and creating a sense of home.